How to Use the Spanish Pronoun Se

Se is undoubtedly the most versatile of the Spanish pronouns. As you learn Spanish, you will come across se used in a variety of ways, usually meaning one of the -self words of English such as herself or yourself.   Using Se as a Reflexive Pronoun The most common use of se is a reflexive pronoun. Such pronouns indicate that the subject of a verb is also its object. In English, this is usually accomplished by using verbs such as himself or themselves. ​Se is used as the reflexive pronoun for third-person uses (including when usted or ustedes is the subject). Some verbs (as in the final two examples below) can be used reflexively in Spanish even though they arent translated that way in English. Pablo se ve por el espejo. (Pablo sees himself using the mirror.)Los padres no pueden oà ­rse. (The parents cant hear themselves.)Rebecca se perjudica por fumar. (Rebecca is hurting herself by smoking.)Benjamà ­n Franklin se levantaba temprano. (Benjamin Franklin got up early.)Se comià ³ los tacos. (He ate up the tacos.) Using Se as the Equivalent of the Passive Voice Although this use of se isnt technically the passive voice, it fulfills the same function. By using se, particularly when discussing inanimate objects, it is possible to indicate an action without indicating who performed the action. Grammatically, such sentences are structured in the same way that sentences using reflexive verbs are. Thus in a literal sense, a sentence such as se venden coches means cars sell themselves. In actuality, however, such a sentence would be the English equivalent of cars are sold or, more loosely translated, cars for sale. Se abren las puertas. (The doors are opened.)Se vendià ³ la computadora. (The computer was sold.)Se perdieron los llaves. (The keys were lost.)Se prohibe fumar. (Smoking is prohibited.) Using Se as a Substitute for Le or Les When the indirect-object pronoun le or les is immediately followed by another pronoun that begins with an l, the le or les is changed to se. This prevents having two pronouns in a row beginning with the l sound. Dà ©selo a ella. (Give it to her.)Se lo dijo a à ©l. (He told it to him.)No se lo voy a dar a ellos. (Im not going to give it to them.) Using the Impersonal Se Se is sometimes used in an impersonal sense with singular verbs to indicate that people in general, or no person in particular, perform  the action. When se is used in this way, the sentence follows the same pattern as those in which the main verb is used reflexively, except that there is no subject to the sentence that is explicitly stated. As the examples below show, there are a variety of ways such sentences can be translated to English. Se maneja rà ¡pidamente en Lima. (People drive fast in Lima.)Se puede encontrar cocos en el mercado. (You can find coconuts in the market.)Muchas veces se tiene que estudiar para aprender. (Often you have to study to learn.)No se debe comer con prisa. (One ought not to eat quickly.) A Caution About a Homonym Se shouldnt be confused with sà © (note the accent mark), which is usually the singular first-person present indicative form of saber (to know). Thus sà © usually means I know. Sà © can also be the singular familiar imperative form of ser; in that case it means you be as a command.

Computer Network Platforms And Network Operating Systems

Introduction A computer system that allows exchange of information, data and resource between two or more computers is called a computer network. The most common computer network architectures are peer-to-peer, client-server, and virtualisation. As programming and software, advancement has enhanced in the course of recent decades, so have computers turned out to be better at communicating on a network system. Network operating systems are designed primarily to support user administration, security of all resources in the network, system maintenance activities and tasks related with file management (Techopedia, 2016). The aim of this report is to explain different computer network platforms and network operating systems. Peer-to-peer A peer-to-peer network is created when two or more PCs are associated and share resources such as folders, printers, and CD-ROM drives without needing a different server PC. In this network system, a user can access a data or a printer across the network and so it reduces the costs linked with a central server or multiple printers. Characteristics of peer-to-peer network: †¢ Peer-to-peer network allows user to share various resources such as files and printers. †¢ Peer-to-peer network works better for groups of 10 clients or less. †¢ Peer-to-peer network is a decentralized platform. †¢ Peer-to-peer network platform allows computers in the network communicate easily. Peer-to-peer is generally an integrated part of the computer’s operating system.Show MoreRelated Sun Microsystems, Inc. Essay866 Words   |  4 PagesSun Microsystems, Inc. Sun Microsystems, Inc. is a worldwide provider of products, services and support solutions for building and maintaining network-computing environments. The Company sells scalable computer systems, high-speed microprocessors and high performance software for operating network computing equipment and storage products. 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Space and Form in Modern Sculpture

Question: Discuss about theSpace and Form in Modern Sculpture. Answer: Introduction: Sculpture is one of the most interesting parts of art as compared to other forms such as music and dancing. Sculpture refers to the marriage between form and space. This implies that when the form and the space are made in such a manner that they co-join together, it forms a sculpture. Depending on the capacity and the magnitude of the sculptor, the appeal to the eyes of the viewers will be realized. A sculptor is a person who makes sculptures. Space in the world of sculpture refers to the negative area surrounding the positive side of the form. On the other hand, form refers to the model made by the artist portraying a certain dimension. Artists make sculptures as a way of passing certain information to the viewers[1]. Factors to Consider when Sculpting For any form of art to come out in an outstanding and unique way, there are some basics in which the sculptor ought to consider to meet the threshold required by the viewers. One of this is the material choice of making a statue. It should be one which appeals to the public and do not have a scary reflection[2]. This is because it is meant to sell itself to the potential subscribers. Moreover, appealing monuments makes other people feel the urge to join the industry. Secondly, one ought to consider the texture or the language of the space. People are more enticed by products with smooth texture. This is because it gives them a sense of peace especially when going through tough times in life[3]. Thirdly, the sculptor should consider the location between the form and the space. This is due to the fact that good moldings should have a nice blending of the two. Modern day statues are unique as compared to the past forms. This is attributed to the type of make it is used in the current generation. Most of them are thick in nature due to the type of the material used in its production. As the world revolutionized, people became so aggressive and wanted to change taste in all the natures of the world. This also was felt in the monumental world. The present day sculptures are very charismatic and thus appeal to the eyes of the people at first sight. The materials used are very beautiful and most of these figures are erected to pass a specified message. Most of them are being made for environmental conservation intentions, cultural respect and educational purposes. Some figurines in this generation are produced in form of videos. For instance, the Bad Dream House produced by Vito Aconni in the year 1988[4]. Visual Art Post-minimalist art is designed to employ minimalism either as a conceptual or aesthetic reference point. Minimalism is known to be more of artistic tendency and not just a particular movement. Post-minimalist artworks refer to the day to day simple materials and objects that assume a pure and formalist aesthetic. The fact that post-minimalism comprises of disparate and diverse groupings of artists, it is hard sometimes to attempt to enumerate every possible similarities and continuities between them. Some of the minimalist procedures such as subtractive and additive process are common in post-minimalism (only that sometimes are evident in disguised forms)[5]. Post-Minimalism Composition and Approach This refers to a period whereby inclination of the body parts, aspects of conceptual art, process of art and performance developed into cognitive manner. It began its operations in the early 1960s. During this era, many artists emerged who wanted to produce monuments that do not have any close or whatsoever sort of relationship with the traditional sculptures. They reacted to this theoretically and practically by producing in the styles, which endured styles of the last generation. They shared minimalist interest by rejecting the use of industrial materials but solely dependent on the natural resources such as minerals. Most preferred the use of gold and diamonds as they view them as being beautiful and fascinating[6]. However, they failed in ethical concerns since most concentrated on producing statues, which show sexuality of the human beings. This was faced with a lot of criticism especially from religious perspectives. Moreover, the community was displeased and thus led to uprisi ng for change[7]. Additionally, this generation produced figures, which were anti-allusion. This means that most of the materials used were solely the choice of the artist but not in accordance to the norms or the choices of the society. To add on this, products of the post-minimalism generation had a relationship between the site and the sculpture itself. Most were statured in the place where the functionalism of the so statue was based. For example, the status in Rio Brazil, were placed in the sites where the religious practices used to take place. They are still maintained to date due to its great significance to the subsequent generations. Some of the carvings were eccentric and obstructive in nature. Most were produced to scare away people or give them negative view about certain things in nature[8]. Furthermore, some were produced to represent human figures with artistic features of sculpture. This was used to ride it and prove that tradition was very complex and a difficult task in the human ra ce. Despite their great reshuffle in the art industry, they do not represent the cognitive society. This is because the tradition of the human race should be preserved since it is the bond, which keeps us going. Besides, if conservation should be emphasized simply for the reason that is where all this artists received the knowledge of beginning their work of art[9]. Eva Hesses Contribution to Art Eva Hesse is acknowledged as one of the most well-known artists to suffice following the immediate aftermath of the expressionists. Hesse schooled in American abstract commercial design and painting practices. As an expressionist painter, Hesses practice propelled her to increasingly experiment with various industrial materials including fiber glass, rubber, wire, string, and rope. In the spirit of minimalism, Hesse is said to have explored how to suggest a multi varied psychological moods and organic associations as well as proto-feminist concept. Hesse is hailed to be among the first artists of the 1950s to attempt an experiment with the contours of the organic world of nature, and she is also remembered for championing the simplest artistic gestures[10]. Styles, Attempts and Objectives of Art A balanced structure should be the focus of these people. In case of juxtaposing of materials, the monument becomes confusing and therefore makes the concept off track. This will eventually pull down the market of the product. The artiste should ensure that the material are made up of elements such as wooden nails, glue, and a nut in order to bring interlocking together in an inclusive manner[11]. The language of the surface should speak for itself in order to avoid confusing of the viewers. To add on that, the monument builders should also ensure that the tension of the source is in line with their works of art. This helps in countering problems such as fall and the cracking of the erected objects. This will definitely help reduce fatalities as some of these objects are very heavy and made of deadly materials. Hessefor states that the creation of the figures gives the humanity an opportunity to think in a wider range both macro and micro way. This is due to different concepts such p rocess art and body art used by the artistic family in passing out information. Illustratively, the art produced by Anconni in the 1970 by burning of chest hair was a very dangerous expression and confrontation[12]. Conclusion The paper has explored various facets that define and form sculpture. Being an interesting subject, various art writers and creative artists have undertook a careful analysis of the same whereby they have written extensively on what comprises the best art sculpture. According to Smithson, the choice of a painter reflects that of the photographer as taking photo whereas the larger luggage of beautification lies squarely on the sculptor. This is because the responsibility of choosing the materials to make the work to inhibit the expectations of the viewers is theirs. Likewise, they are expected to deliver a certain concept and thus wrong choice will subject them to be viewed at a strayed position during their daily routine. Bibliography ARTE France, and Films Media Group. 2015. The Guggenheim Museum of Bilbao. https://digital.films.com/PortalPlaylists.aspx?aid=13753xtid=65330. Baler, Pablo. 2013. The next thing: art in the twenty-first century. Barron, Stephanie, Lisa Gabrielle Mark, and Alexander Calder. 2013. Calder and abstraction: from avant-garde to iconic. Chilvers, Ian and Glaves-Smith, John,A Dictionary of Modern and Contemporary Art, second edition (Oxford and New York: Oxford University Press, 2009), p. 569.ISBN 0199239665. Curtis, Penelope, and Keith Wilson. 2011. Modern British sculpture. London: Royal Academy of Arts. Duby, Georges, and Jean Luc Daval. 2010. Sculpture. KoÃÅ'ˆln: Taschen. Ebbinghaus, Susanne. 2011. "Superficial? Approaches to painted sculpture". Source. 30 (3). Eva Hesse. 1976 New York; New York University Press / 1992 Da Capo Press, Inc. Lucy R. Lippard. illus. Trade Paper. 251p. Hamill, Sarah. 2015. David Smith in two dimensions: photography and the matter of sculpture. Hassan, Oskar Hasdinor, Shahriman Zainal Abidin, Rafeah Legino, Rusmadiah Anwar, and Muhamad Fairus Kamaruzaman. 2015. International Colloquium of Art and Design Education Research (i-CADER 2014). https://search.ebscohost.com/login.aspx?direct=truescope=sitedb=nlebkdb=nlabkAN=1076501 Lange-Berndt, Petra. 2015. Materiality. Wood, Jon, David Hulks, and Alex Potts. 2012. Modern sculpture reader. Los Angeles: J. Paul Getty Museum.

Midsummer Nights Dream Essays (715 words) - Fiction, Arts, Film

Midsummer Night's Dream After a night of wandering through the woods, chasing fairies, having various potions rubbed over their eyes, falling in and out of love, and threatening each other's lives and limbs, the four lovers of A Midsummer Night's Dream wake up in the forest to the trumpeting of horns and find themselves surrounded by nobility. It's no wonder they are confused, and cannot truly say . . . (IV.1.7) how they ended up where they are and what happened the night before. But what they are sure about is how they feel towards one another. Whether it's a love that has faded, grown anew or been there all along, the four lovers possess a certainty about who (m) they love that is as strong if not stronger than it is at any other point in the play. Lysander is the first of the four paramours to react to Theseus' wonderment at their situation. He admits that I shall reply amazedly, /Half sleep, half waking. But as yet, I swear, /I cannot truly say how I came here. (IV.1.145-7). In this excerpt, Lysander's tone is understandably a bit dazed and unsure, and his response is littered with uncertainty. This tone of astonishment is also present in the thoughts of Demetrius, Helena, and Hermia. Methinks I see these things with parted eye, /When everything seems double (IV.1.188-9) exclaims Hermia, and Helena agrees that So methinks.(IV.1.190). Demetrius is so bewildered that he finds it necessary to ask the others Are you sure that we are awake? It seems to me/ That yet we sleep, we dream. (IV.1.192-4). The underlying tone throughout this 'waking scene' is one of uneasiness and confusion between dreams and reality; but the only time the lovers express real uncertainty is while they are sorting out what just happened in front of them in volving the Duke and his hunting party. Demetrius asks the others Do not you think/The Duke was here, and bid us follow him? (IV.1.194-5), and only concludes that Why, then, we are awake. (IV.1.197) after receiving confirmation from the others. But this tone of uncertainty fades when the four talk about their true loves. Demetrius admits that I wot know by what power . . . (IV.1.163) that his love for Hermia has Melted as the snow . . .(IV.1.165), but he is sure that The object and the pleasure of mine eye, /is only Helena. (IV.1.169-70). Lysander and Hermia don't even refer to their love as anytime being in doubt--their confusion again only pertains to what is happening presently; what Hermia sees as if out of focus, with parted eye . . . (IV.1.188). While it would take a whole other paper to debate whether or not Demetrius is really in love with Helena in his drugged state, she at least is convinced of his love. In the woods, Helena was sure that Demetrius' vows of adoration were to scorn her, and even as he claimed to love her, she lamented Wherefore speaks he this/To her he hates? (III.2.227-8). But the next morning, she regards his vows with less doubt, and instead reflects that she has Found Demetrius, like a jewel/Mine own and not mine own.(IV.1.190). She acknowledges that Demetrius was lost to her own at one point, but more importantly she now knows that he is found. Helena's new acceptance of Demetrius' love could be because his vows are much more concrete than they were in the woods. There Demetrius proclaimed his love through claims of admiration and idolatry; using spin words of poets without real depth, like when he awakens and out of the blue declares Helena to be a goddess, nymph, perfect, divine . . . (III.2.137). In the morning his declarations carry an air of more reason, and focus not on empty catch-phrases of beauty and passion. Instead, Demetrius declares more what he feels, saying Now I do wish [for Helena's love], love it, long for it, /And will for evermore be true to it.(IV.1.174-5). His feelings of love are now more certain and confident, thus he is able to express them with language more concrete. Shakespeare Essays

Three Nations Make a Strong Case for Being the Oldest

Three Nations Make a Strong Case for Being the Oldest Although empires existed in ancient China, Japan, Iran (Persia), Greece, Rome, Egypt, Korea, Mexico, and India, to name a few, the starting dates of these entities dont correlate with their modern counterparts as nations, even though the empires did have central governments ruling over their territory. The makeup of these ancient empires largely consisted of an agglomeration of city-states or fiefdoms, which overlapped jurisdictions with the imperial government. Much territory of empires was temporary (with fluid boundaries) and won through war or marriage alliances of monarchs, making them not unified entities, even if the lands were considered part of an empires territory by its emperor. Empires were not the equivalent of the modern nation-state, which emerged in the 19th century. Often, in fact, todays nation-states arose from the dissolution of empires, around communities that shared a common geography, language, or culture. The following three countries are most often cited as being the worlds oldest. San Marino By many accounts, The Republic of San Marino, one of the worlds smallest countries, is the worlds oldest country. San Marino, which is completely surrounded by Italy, was founded on Sept. 3 in the year 301 BCE. A monastery at the top of Mount Titano, likely the center of the community there, was constructed during the sixth century BCE. However, the nation wasnt recognized as independent until CE 1631 by the pope, who at that time controlled much of central Italy politically. San Marinos constitution is the worlds oldest, having been first written in the year 1600. San Marino was aided in its continued independence by the fact that it sits isolated amid fortresses in high, mountainous terrain. Japan According to Japanese history, the countrys first emperor, Emperor Jimmu, founded Japan in 660 BCE. However, it was not until at least the eighth century CE that Japanese culture and Buddhism spread across the islands. Over its long history, Japan has had many different types of governments and leaders. While the country celebrates 660 BCE as the year of its founding, it wasnt until the Meiji Restoration of 1868 that modern Japan emerged. China The first recorded dynasty in Chinese history existed more than 3,500 years ago when the feudal Shang dynasty ruled from the 17th century BCE to the 11th century BCE. However, China celebrates 221 BCE as the founding of the modern country, the year Qin Shi Huang proclaimed himself the first emperor of China. In the third century CE, the Han dynasty unified Chinese culture and tradition. In the 13th century, the Mongols invaded China, decimating the population and culture. Chinas Qing Dynasty was overthrown during a revolution in 1912, leading to the creation of the Republic of China. However, in 1949 the Republic of China itself was overthrown by Mao Tse Tungs communist rebels, and the Peoples Republic of China was created. It exists to this day. Other Contenders Modern countries such as Egypt, Iraq, Iran, Greece, and India bear little resemblance to their ancient counterparts. All of these countries except Iran trace their modern roots only as far back as the 19th century. Iran traces its modern independence to 1501, with the founding of the Shia Islamic state. Other countries that consider their founding to be prior to Irans include: France (CE 843)Austria (CE 976)Hungary (CE 1001)Portugal (CE 1143)Mongolia (CE 1206)Thailand (CE 1238)Andorra (CE 1278)Switzerland (CE 1291) All of these countries have a long and impressive history, which allows them to maintain their place as some of the oldest nation-states on the planet. Ultimately, it is difficult to judge which country is the worlds oldest due to a variety of complex factors, but you could easily argue for San Marino, Japan, or China and be considered right.

When Words Collide

When Words Collide When Words Collide When Words Collide By Maeve Maddox This use of the verb collide in a newspaper article struck me as odd: One driver was able to stop short of hitting the child but her bike collided into another car. The verb collide is from Latin collidere, to strike or clash together. Its most common use is as an intransitive verb. Used without a prepositional phrase, collide signifies an action in which two moving objects strike one another: Two satellites collide in orbit Two NJ Transit buses collided in the Lincoln Tunnel this morning Two Thai F16 jets collided in mid-air and crashed Collide can also be used figuratively: Southern Politics and Personalities Collide in Old Globes Cornelia, What Happens When Political and Humanitarian Goals Collide? When the colliding objects are not of the same kind, or a contrast between them is desired, a prepositional phrase is employed: Fire Truck Collides With a Van birds collide with airplanes As sea floor spreads from the oceanic ridge, it eventually collides against the continental crust or plate. Insurance rates collide with credit scores Pakistani frigate collides against the dock Jeep collides against tree The prepositions with and against are used to introduce the other object in the collision. The use of with indicates that both objects were moving. The preposition against indicates that one of the objects was stationary. The following headline is redundant: 15 Injured after 2 Buses Collide against each other The OED entry includes a transitive use of collide, but calls it rare or obsolete. Changing technology may call this use back from obsolescence. Here are two recent examples of collide used transitively: I simply want to collide a sprite against the edges of the screen. The simulation has determined they are not moving fast enough to warrant colliding them against each other A Google search turns up millions of examples of collide into, but in most instances, the writer may have been reaching for crashed: RAF Tornados nearly collided into each  other What would happen if a planet collided into the sun? Woman who collided into train tested positive for cocaine Some writers use the word in mysterious ways. In the following examples collide seems to be standing in for combined or coalesced: Can tetanus, meningitis, and chicken pox shots be all collided into 1 shot? Our worlds collided into one chat room. Bottom line: If you find yourself placing into after collide, you may wish to reconsider your use of one of the two words. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:20 Great Opening Lines to Inspire the Start of Your Story40 Synonyms for â€Å"Lie†1,462 Basic Plot Types

The Economics of Crime. The Determinants of Rates of Crime in England Essay

The Economics of Crime. The Determinants of Rates of Crime in England and Wales - Essay Example Crime has been taken as a social issue and discussion on economics of crime follows. The crime incidence of England and Wales has been taken as the real world scenario. The market model of crime determines the expectations of the participants on probability of getting victimized. It has been found out that the elasticity of the supply and demand curve have a major role to play. In order to deal with the effect of crimes, the public enforcement laws can be made more stringent as that will reduce the opportunity cost of committing crimes and pay-off will get reduced. Aims and objectives of the study The overall aim of the project is to show the relevance of the economic analysis to real world scenario. The micro or the macro theory is used by the policy makers. There is no simple solution to the major social issues and the aim of the project is not to provide readymade remedies. The aim is not to take into account the fine details of the different policies of the government that relate s to social issues but the concrete aim of the study is to witness the way economists analyze problems relating to social issues. The aim is to show the use of economics in the vast fields and economics cannot be encircled only in business. Economics of crime The aim of the project is to determine the determinants of rates of crime in England and Wales. Some researchers put out their views by providing a framework in which they provide an economic analysis of crime. They assumed that the offenders are economically rational as well as utility maximizing. They predicted crime can be kept in check through stringent law enforcement polices as high prices for crime commitment would act as the disincentive for the offenders to participate in illegal activities (Winter, 2008). On the other hand if the labour market does not provide job opportunities the potential offenders would get involved in criminal activities as it reduces the opportunity cost of doing such activities. Following the i nferences many scholars were interested in empirically testing the predicted relationship between crime and variables which can influence the offender’s decision by affecting the costs and benefits of crime commitment (Eide, Rubin, Mehlop, 2006). The analysis has distinct implications for the purpose of policy analysis. The response towards crime is one of the priorities for governments. It is necessary to understand the effective control of crime and the interaction between crime and the various social factors. Crime can be reduced by increasing the income level of the offenders and if the empirical tests on the crime rates in England and Wales can confirm the validity of the predictions, it can be stated that economic growth can act as the effective way to reduce the frequency of crime (Peltzman, and Fiorentini, 1997). Effective control of crime through economic growth will be less costly for the government as economic prosperity is indeed the aim of the government (Freeman , 1999). The reduction of the rates of crime is a positive side effect of good conditions within the economy (Benson, 2010). The decision of committing crime is analyzed on the basis of cost. According to BBC Magazine the average cost of keeping an offender in prison for a year sums up to 50,000 pounds. The champions of community punishment point their effectiveness stating the reoffending crime rates to be at 36% compared to 60% among those released after short term punishments. Decision to commit crime: An individual can earn 100 pounds in legal